[Türenmacher]

This is a revenger’s tale, with all of the high stakes, catharsis, double crosses and villainy that the form can play host to. But despite all of that – despite the cast of loyalists, rebels, victims, nobles and traitors – Dishonored is the tale of a city. And what a city it is. I haven’t wanted to study and explore a place as much as this since Thief introduced its marvellous warren of secrets, and it’s not only in its superb creation of an urban space both fantastical and relatable that Arkane’s game brings Looking Glass’s work to mind. Dishonored is almost certainly the finest stealth game I’ve played since the dawn of The Metal Age.

That’s why Dishonored is important right now. It feels like a game from another timeline, one where Thief and System Shock set the bar for what first-person games could be, leading to designs that were built around intelligent use of space and world-building.

Best of all, Dishonored doesn't demand you see everything it has to offer, although it is compulsive enough to ensure you will. Whatever route you take - up or down, left or right, the gutter or the stars - you'll always end up at the same conclusion: Dishonored is one of the greatest games of this generation.

"Dishonored ist ein intelligentes und kunstvolles Spielvergnügen und damit für mich ein heißer Kandidat für das Spiel des Jahres."

Dazu reihenweise 9er-Wertungen oder gleich die Top-Wertung:
http://www.vg247.com/2012/10/07/dishonor...ores-here/

Was ist denn da los? Das scheint ein gigantischer Wurf zu sein ...